Serve este novo tópico para colocarmos as entrevistas das nossas bandas de eleição (ou outros intervenientes no mundo do Metal), ou apenas entrevistas que pensamos ser importante divulgar. Podem e devem comentar a informação aqui disponibilizada.
Obviamente que estas estão disponíveis nos respetivos sites, quem preferir ler lá, que o faça. Coloquem aqui a informação e mencionem o site de onde foi retirado.
Boas leituras!
Entrevistas - Divulgação e comentário
Entrevistas - Divulgação e comentário
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
Re: Entrevistas - Divulgação e comentário
Downfall Of Nur interviewed in No Clean Singing
The year is coming to an end and the black metal scene has many things to toast to. One of them is the appearance of Downfall of Nur, the one man band from an Italian-Argentinian multi-instrumentalist named Antonio Sanna. Hailing originally from the land of Sardinia, Italy, Antonio moved to Argentina as a kid, and now at only 19 years old he has become one of the more interesting faces in the genre. Mixing the raw and classic sound of Scandinavian black metal whilst identifying himself with the Cascadian sound of masters like Wolves in the Throne Room and the folk influence of giants Agalloch, he released Umbras de Barbagia, one of the most exciting debuts of the year. In this interview, Antonio talks about the beginnings of the band and how much his indivisible emotional link with his homeland remains as the key influence in his music.
Before Downfall of Nur you played in projects like Dreon, Drowned in November, Funeralopolis, and Philosophie des Toren. What can you tell me about them and how different were they from DON?
They were all experimental projects, stages where I was interested in a musical style/genre and in recording something associated with it. Funeralopolis was the previous name of Philosophie des Toren, and then I changed it. I can´t remember why, it was a long time ago, anyway. None of them were serious projects. The project that may have been a bit more serious was Drowned in November. I’ve learned a lot thanks to the recording process of those projects, but they never had any other purpose than to experiment. DON was created with the idea of making a serious project, and beyond an experiment in sound and composition, although keeping some parameters.Spoiler: Mostrar
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
Re: Entrevistas - Divulgação e comentário
Wildernessking interviewed by Noisey.Vice
Cape Town black metal collective Wildernessking first appeared on my radar back in 2012 with their debut album, The Writing of Gods in the Sand, and I gushed about them in miniature via my old Terrorizer Magazine column, Ravishing Grimness. Back then, I praised their "expansive, almost progressive compositions that draw just as heavily from Agalloch and Drudkh as they do post-rock’s crescendos and melodic death’s triumphant marches," and now, four years later, I'm pleased to report that they've only gotten better, and more ambitious in their sound and scope.
The band's second full-length, Mystical Future, builds upon The Writing of Gods' sturdy foundation, their skills further sharpened by a preceding series of splits and EPs (including this South African metal compilation we covered last year). Wildernessking make no bones about their intention to move beyond "just" black metal; Mystical Future is a richly-layered recording, one whose lush melodies and bright atmosphere lean far more heavily on its creators' interest in progressive rock, post-rock, and 90s screamo than on Scandinavian tradition. Even though the "post-black metal" tag has fallen out of vogue, that's exactly what Wildernessking offers here. Take it or leave it (though I highly suggest you take it, because it's brilliant).
Read on for a chat with vocalist and bassist Keenan Nathan Oakes.Spoiler: Mostrar
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
Re: Entrevistas - Divulgação e comentário
Sun Worship interviewed in Noisey.Vice
Last year, Sun Worship's Elder Giants album deservedly found its way onto a good number of best-of lists; the Berlin trio's take on black metal skewed atmospheric and ominous, littered with pulsating rhythms and bolstered by a raw, stripped-down live show that left audiences at Roadburn breathless. One of those lucky Roadburn attendees happened to be Translation Loss label head Drew Juergens, and after seeing Sun Worship methodically and elegantly decimate the Green Room, he signed on to help bring their Second Wave-influenced ferocity to a broader audience across the sea.
Unlike so many of their black metal peers, Sun Worship shuns theatrics or pretension onstage as they hammer through their icy epics; bizarrely enough, they've been hit with labels like "hipster" or "false" as a result, which is pretty laughable after one actually sits down and listens to the music they make. As drummer Bastian told Noisey over email, "To suggest what music is influential and important to me, that would open a too wide field. I can say that I listen to Deerhoof, Moondog, Devo or The Prodigy as much as I listen to Sons of Northern Darkness or Nemesis Divina."
And so it came to pass that Translation Loss re-released Elder Giants in North America on October 30 on CD (vinyl is available here). I fired off a few questions via email to Sun Worship drummer Bastian and guitarist/vocalist Lars ahead of the release, and they got back to me with a multitude of unfiltered opinions on everything from corpsepaint and Liturgy to gentrification in Berlin.Spoiler: Mostrar
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
Re: Entrevistas - Divulgação e comentário
Bem porreira esta ideia. Obrigado pela partilha.
Gostei da resposta de Sun Worship à cena do trve..mas acima de tudo, a menção a Mount Eerie, umas das minhas bandas preferidas
Gostei da resposta de Sun Worship à cena do trve..mas acima de tudo, a menção a Mount Eerie, umas das minhas bandas preferidas
Re: Entrevistas - Divulgação e comentário
Se calhar punha-se era um spoiler nisso, não?
Re: Entrevistas - Divulgação e comentário
Floresta Escreveu:Se calhar punha-se era um spoiler nisso, não?
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
Re: Entrevistas - Divulgação e comentário
Noisey interviews Yellow Eyes
Welcome to Noisey Next, our series dedicated to bringing you our favorite new artists on the verge of blowing up, breaking ground, or otherwise worth giving a damn about.
“The first ever show we went to in Prague, we'd arrived two days before and there was this cryptic poster with black metal logos. Everything's in Czech; we didn't speak a word of Czech, and didn’t even know what bands were playing, but what else were we going to do? We're in this new city. It ended up being far on the outskirts of town, up to this weird, blacklit staircase," Yellow Eyes guitarist and vocalist Will Skarstad tells me, reminiscing about when he and his brother, Sam (who also plays guitar in the band) lived in Prague several years back. "We’re at this show full of corpse-painted bands and we don't understand anything, we're just there. But suddenly, people are coming up and saying,'What's up, brother?' in English. And we're like, ‘People are really nice here!’ But then we realized that there was a band called Sunwheel, and one called Swastika, and we were like, 'Oh, boy. Okay. Gotcha. We've gotta get out of here.' And we left very quickly. That was an awakening—you've gotta be careful out here.”
“It’s just something you confront," Sam adds. "In a way, my coming of age in the metal scene was in that pressurized area—like basically on the border of North and South Korea. It was that feeling that there is a frontier here that there isn't in the States, and that's where I started understanding the intensity of [black metal] for the first time.”Spoiler: Mostrar
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
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Metal Storm
Obituary interview (03/2016)
Obituary - a band which needs no introduction. I recently had the pleasure to sit down with drummer Donald Tardy and we briefly talked about a new album, the possibilities of a new video and about the death metal scene in general. But we also talked a whole lot about the organization and every aspect of the newest and brightest star of metal Festivals in the US: the first edition of Florida Metal Fest.
Obituary interview (03/2016)
Obituary - a band which needs no introduction. I recently had the pleasure to sit down with drummer Donald Tardy and we briefly talked about a new album, the possibilities of a new video and about the death metal scene in general. But we also talked a whole lot about the organization and every aspect of the newest and brightest star of metal Festivals in the US: the first edition of Florida Metal Fest.
Spoiler: Mostrar
Valfar, ein Windir
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No Clean Singing Interviews MGŁA
(Last September I sent interview questions to Poland’s Mgła, the creators of one of the best albums of 2015 — Exercises In Futility. Mgła have been very busy since then, and I had given up hope that the questions would be answered, but yesterday we received them. Some of the topics have been overtaken by time, but others remain relevant, and I hope you’ll find the answers as interesting as I do. I thank M. for answering the questions when it would have been easy to forget about them altogether.)
******
Forgive me, but I would like to ask you a few questions about the lyrics to the songs on the new album before getting to the music. I read them before listening and thought they were eloquent and powerful (as usual), though quite bleak and even nihilistic. They changed my mood and state of mind before hearing a note, as if preparing the way. What inspired you in your writing this time?
Life itself, as obvious as it may sound. That’s what the album title refers to. The lyrics are a condensed form of our commentary to the world.
Apart from being a lyricist for your own music, do you have other experience as a writer, whether in writing poetry or otherwise?
No.
For this album, did you write the lyrics after composing the music, or did you have them in mind as you were composing? And what connection do you see between the words and the music?
Collecting ideas, sketches of lyrics, references, etc. started immediately upon completion of „With hearts toward none”. Actual process of working these into final form of lyrics for „Exercises in futility” happened after composing and recording of all music. Of course we had the ideas, overall atmosphere, etc. in mind while composing. We wanted the vocals to keep a rather natural melody of sentences, in some way as one would read poetry aloud, rather than cutting them into short, very rhythmized phrases, which is often the case with arrangement of lyrics in metal.Spoiler: Mostrar
«And the Lord said, I will destroy man whom I have created from the face of the earth; both man, and beast, and the creeping thing, and the fowls of the air; for it repenteth me that I have made them» (Genesis 6/1-7)
- aetheria
- Ultra-Metálico(a)
- Mensagens: 6972
- Registado: quarta jul 04, 2007 9:59 am
- Localização: Braga
Re: Entrevistas - Divulgação e comentário
<3
E, quando nem ligo muito às letras na esmagadora maioria das bandas, neste caso, até isso me seduz nesta banda.
Só é tua a loucura Onde, com lucidez, te reconheças. Torga
A partir de um determinado ponto já não há retorno. É esse ponto que se tem que alcançar. Kafka
A partir de um determinado ponto já não há retorno. É esse ponto que se tem que alcançar. Kafka
- RavenEffect
- Participante Inspirado(a)
- Mensagens: 95
- Registado: quarta mar 06, 2013 11:03 am
- Localização: na çena
Re: Entrevistas - Divulgação e comentário
"Yes, the album was leaked. We planned to upload the whole LP on the internet on the date of release anyway, so it was not a big deal that it happened a few days earlier. With this sort of situation you can either 1) whine about internet piracy, 2) pretend nothing has happened, 3) take action and openly state what’s the situation. With our approach to Mgła, variant 3 was the natural. We wanted the whole album to be available in streaming form; it was an attempt of fair approach to the audience – „here’s the album, this is how it sounds like, if you like it, you can buy it”.
Verdadeiros ao máximo
Verdadeiros ao máximo
spiegelman Escreveu: Sei que a maior parte do pessoal já está farto dos Kreator mas eu quero é que a maior parte do pessoal se foda
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